Female Action Hero’s Superpower Representation: Audience Reception on Twitter in Disney’s Mulan (2020)

https://doi.org/10.22146/rubikon.v9i2.76886

Winda Nur Pratiwi(1*), Fitria Akhmerti Primasita(2)

(1) Universitas Sebelas Maret
(2) Universitas Sebelas Maret
(*) Corresponding Author

Abstract


The live-action adaptation of the Movie Mulan produced by Walt Disney in 2020 sparked heated discussion from the audience after Disney tries to represent a strong female action hero by giving Mulan, the female protagonist, a superpower attribute called ‘chi’. In the era of new media, audience expressed their opinion through Twitter. Thus, the tweet responses and reviews on several websites were consecutively taken as primary and secondary data as it is an audience analysis research, applying feminist theory to examine the audience responses to the representation of female action heroes with a superpower. The research found that the majority of the audience, approximately 80%, falls into the opposition audience. They do not like the representation of Mulan with a superpower. On the other hand, less than 20% of audience fall into the dominant and negotiate audience. The high percentage of the oppositional audience indicates that the audience of the live-action Mulan would rather choose the representation of Mulan who came from a humble background instead of someone who was born great.

Keywords


audience analysis; female action hero; Mulan; superpower; Twitter

Full Text:

PDF


References

Bilandzic, H., Patriarche, G., Jurisic, J., & Jensen, J. L. (Eds.). (2014). Audience research methodologies: Between innovation and consolidation. Routledge.

Brown, J. A. (2011). Dangerous curves: Action heroines, gender, fetishism, and popular culture. University Press of Mississippi.

Budirská, A. (2021). ‘This is a forced Feminist agenda’: IMDb users and their understanding of Feminism negotiated in the reviews of superheroine films. [Thesis, Linnaeus University].

Cocca, C. (2016). Superwomen: Gender, power, and representation. Bloomsbury Publishing.

Collier, N. R., Lumadue, C. A. & Wooten, H. R. (2009). Buffy the vampire slayer and Xena: Warrior princess: Reception of the texts by a sample of lesbian fans and website users. Journal of Homosexuality, 56(5), 575–609. https://doi.org/10.1080/00918360903005253.

Doull, M., & Sethna, C. (2011). Subject, object, or both? Defining the boundaries of girl power. Girlhood Studies, 4(2), 92-110. https://doi.org/10.3167/ghs.2011.040207

Fimbianti, R. (2020). ‘It wasn’t made for him’: Examining female-led superhero films Wonder Woman and Captain Marvel and the internet commentary that follows. The Macksey Journal, 1(213), 1-26. Retrieved on May 4, 2022, from https://mackseyjournal.scholasticahq.com/article/21807-it-wasn-t-made-for-him-examining-female-led-superhero-films-wonder-woman-and-captain-marvel-and-the-internet-commentary-that-follows.

Flint, H. (2020, April 3). How Niki Caro transformed Disneys Mulan into a warrior epic. Syfy. Retrieved January 19, 2022, fromhttps://www.syfy.com/syfy-wire/how-niki-caro-transformed-disneys-mulan-into-a-warrior-epic

Hall, A. E. (2020). Audience responses to diverse superheroes: The roles of gender and race in forging connections with media characters in superhero franchise films. Psychology of Aesthetics, Creativity, and the Arts, 16(3), 414-425. https://doi.org/10.1037/aca0000363.

Hall, S. (1973) Encoding and decoding in the television discourse. [Discussion Paper, University of Birmingham].

Hoffner, C., & Buchanan, M. (2009). Young adults’ wishful identification with television characters: The role of perceived similarity and character attributes. Media Psychology, 7(4), 325–51. https://doi.org/10.1207/ S1532785XMEP0704_2.

Hsieh, I. H., & Matoush, M. M. (2012). Filial daughter, woman warrior, or identity-seeking fairytale princess: Fostering critical awareness through Mulan. Children’s Literature in Education, 43(3), 231-222. https://doi.org/10.1007/s10583-011-9147-y.

Johnson, M. (2020). Lets be real: Is the new, live-action Mulan a Jedi?. Dork side of the force. Retrieved May 24, 2022, from https://dorksideoftheforce.com/2020/09/10/is-live-action-mulan-jedi/

Lailawati, R., Islami, Q., & Nursafira, M. S. (2020). The camouflage of “tough woman”: The resistance of female character against patriarchal ideology in Mulan. ELSYA: Journal of English Language Studies, 2(3), 72-76. https://doi.org/10.31849/elsya.v2i3.4926.

Marlina, L. (2015). The discussion on female heroes in respect of gender socialisation of girls: Retelling myths of Psyche, Artemis and Katniss. Linguistics and Literature Studies, 3(2), 41-45. https://doi.org/10.13189/lls.2015.030201

McClearen, J. (2016). Unbelievable bodies: Audience readings of action heroines as a post-feminist visual metaphor. Continuum, 29(6), 833–846. https://doi.org/10.1080/10304312.2015.1073683.

Mills, A. R. (2013). American theology, superhero comics, and cinema: The Marvel of Stan Lee and the revolution of a genre. Taylor & Francis Group.

Oppenheimer, B., Goodman, M., Adams‐Price, C., Codling, J., & Coker, J. D. (2009). Audience perceptions of strong female characters on television. Communication Research Reports, 20(2), 161–72. https://doi.org/10.1080/08824090309388812.

Potter, C. (2020). Reflecting on Mulan with director Niki Caro and Star Yifei Liu. D23. Retrieved April 14, 2022, fromhttps://d23.com/reflecting-on-mulan-with-director-niki-caro-and-star-yifei-liu/.

Qing, Y. (2018). Mulan in China and America: From premodern to modern. Comparative Literature: East & West, 2(1), 45-59. https://doi.org/10.1080/25723618.2018.1482681.

Stuller, J. K. (2010). Ink-stained Amazons and cinematic warriors: Superwomen in modern mythology. Bloomsbury Academic.

Wang, G., & Yeh, E. Y. (2005). Globalization and hybridization in cultural products the cases of Mulan and crouching tiger, hidden dragon. International Journal of Cultural Studies, 8(2), 175–193. https://doi.org/10.1177/1367877905052416.

Weiss, J. (2020). ‘We’re taking it somewhere new’: Niki Caro & Mandy Walker break down disney’s ‘Mulan’ remake. Forbes. Retrieved April 14, 2022, fromhttps://www.forbes.com/sites/joshweiss/2020/09/03/mulan-disney-remake-niki-caro-mandy-walker-interview/?sh=12cb20d73c6f.

Zaslow, E. (2009). Feminism, inc.: Coming of age in girl power media culture. Palgrave Macmillan.



DOI: https://doi.org/10.22146/rubikon.v9i2.76886

Article Metrics

Abstract views : 2334 | views : 1585

Refbacks

  • There are currently no refbacks.


Copyright (c) 2022 Rubikon : Journal of Transnational American Studies

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Indexed by:

   Crossref Google Scholar JournalStories Main logo  OAI logo  

View My Stats

ISSN & E-ISSN