STEREOTYPING AFRICAN AMERICANS’ RACIAL IDENTITY ON VALERIE MARTIN’S PROPERTY
Rasiah Rasiah(1*)
(1) Faculty of Cultural Science Halu Oleo University, Kendari
(*) Corresponding Author
Abstract
This study is intended to analyze the persistence of African American stereotype in the contemporary slavery-themed novel authored by Valerie Martin, Property (2003). Valerie Martin is a white author, who seems to have changed the slavery discourse, but the stereotyping of African Americans is still there and built in a new form of stereotyping. Postcolonial analysis showed that the stereotyping of African Americansas ‘other’ existed in direct stereotyping and indirect stereotyping. Direct stereotyping is that the author directly uses the pejorative language and symbols in forming the African American character, meanwhile indirect stereotyping is the author using the shift of discourse that seemed worthy in describing the African American character, but in the same time it affirms the stereotype of the African American identity as inferior still exists, even in the so-called Post-racial era in the United States.
Keywords: Representation, Stereotyping, Identity, Race, African American
Full Text:
PDFReferences
Bonilla-Silva, E. (2006). Racism without Racists: Color-Blind Racism and the Persistence of Racial Inequality in the United States (2nd Ed). USA: Rowman & Littlefield Publishers, Inc.
Ackerman, A. (2012). Cultural Hybridity: between Metaphor and Empiricism. In P. S. Wolfgang, Conceptualizing Cultural Hybridization: A Transdisciplinary Approach. Heidelberg: Springer web.
Aschroft, G. &. (2003). The Post-colonial: Studies Reader. London & New
York: Routledge.
Babha, H. (1994). The Location of Culture. London & New York: Routledge.
Bogle, D. (1973). Toms, Coons, Mulattoes, and Buck: an Interpretative history of Black in American Films. New York: MacMillan.
Frederickson, G. (1971). The Black Image in the White Wind: the Debate on Afro-American Character & Destiny, 1817-1914. USA: Wesleyan University Press.
Hall, S. (1997). “the Spectacle of the ‘Other’". In S. Hall, Representation: Cultural Representation and Signifying Practices (pp. 225-285). London, California, New Delhi: SAGE Publications Ltd.
Liliweri, A. (2005). Prasangka dan Konflik: Komunikasi Lintas Budaya Masyarakat Multikultur. Yogyakarta: LKIS.
Martin, V. (2003). Property. New York: Vintage Books.
Mellinger, W. M. (1992). Postcards from the Edge of the Color Line: Images of African Americans in Popular Culture, 1893–1917. Symbolic Interaction, 15(4), 413-433.
Nacbar & Lause. (1972). Popular Culture: An Introductory Text. Bowling Green: Bowling Green State University Popular Press.
Neal, A., and M. L. Wilson. (1989). The Role of Skin Color and Features in the Black Community: Implications for Black Women and Therapy. Clinical Psychology Review, 9, 323-333.
Rowe, J. (2000). “Post-Nationalism, Globalism, and New American studies”. In J. Rowe, Post-nationalist American Studies. California: University of California Press.
Rowe, J. (2012). The Cultural Politics of the New American Studies. USA: Open Humanities Press.
Said, E. (1978). Orientalisme: Menggungat Hegemoni Barat dan Mendudukan Timur sebagai Subjek (Terj. Ahmad Fawaid). New York: Vintage Books.
Smith, E. (1980). “An Analysis of The Social Stereotype with Special Reference to Afro-Americans”. Humboldt Journal of Social Relations, 8(1), 61-82.
Thomas, B. W. (2002). Struggling With the Past: Some Views of African-American Identity. International Journal of Historical Archaeology, 6(2), 143-151.
Thompson, V. S. (2006). African American Body Image: Identity and Physical Self-Acceptance. Humbolt Journal of Social Relation, 30(2), 44-67.
Worsley, S. M. (2010). Audience, Agency, and Identity In Black Popular Culture. New York: Routledge.
Wulandari, R. (2014). Hybridity and Formation of Cultural Identity in Jhumpa Lahiri's Fictions. 1st ASSINDO International Conference and Congress: American Studies and Cultural Hybridity (pp. 98-107). Yogyakarta: ASSAA.
DOI: https://doi.org/10.22146/rubikon.v3i1.47841
Article Metrics
Abstract views : 2607 | views : 2321Refbacks
- There are currently no refbacks.
Copyright (c) 2019 Rubikon : Journal of Transnational American Studies
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.