Metal DIY: Dominasi, Strategi, dan Resistensi
Agustinus Aryo Lukisworo(1*), Oki Rahadianto Sutopo(2)
(1) Universitas Gadjah Mada
(2) Universitas Gadjah Mada
(*) Corresponding Author
Abstract
This article focus on the resistance practice by the DIY metal agents towards popularization of metal in Yogyakarta. Beside, this article also attempt to elaborate the survival startegy of the metal agents in Yogyakarta to maintain the Do-It-Yourself practice. Regarding to those focus, this article does not treat metal as a single entity, rather as a dynamic and fluid social space. Thus this article utilized a considerably different kind of approach compared to previous study of metal in Indonesia. This article is based on an ethnographic research, which utilized praticipant observation and in-depth interview as data collecting methods. The data collection process was carried out of six months.
The findings based on the field research show that the resistance practice of metal agents in Yogyakarta was manifested through discursive and musical consumption practices. Both of these practices were used strategically by the DIY metal agents to establish an imaginary boundary against social agents and the field of populer music. Furthermore, the strategy which used to maintain the DIY practices, represented through DIY metal agents involevement within collective actions by one of indie/DIY community in Yogyakarta. Based on the research findings, it can be explained that the dynamics of the field with regards to the resistance and survival strategy by the DIY metal agents represent an intens relation between individuality and collectivity.
Keywords
Full Text:
PDFReferences
Baulch, Emma. 2002. “Alternative music and mediation in late New Order Indonesia”. Inter-Asia Cultural Studies, 3:2, 219-234.
Baulch, Emma. 2003. “Gesturing Elsewhere: The Identity Politics of the Balinese Death/Thrash Metal Scene”. Popular Music, Vol. 22, No. 2 (May, 2003), pp. 195-215.
Bennett, A. 1999. “Subcultures or Neo-Tribes? Rethinking the Relationship between Youth, Style and Musical Taste”. Sociology 33 (3): 599–618.
Bennett, A. 2011. “The Post-Subcultural Turn: Some Reflections 10 years on”. Journal of Youth Studies, 14:5, 493-506.
Bennett, Andy dan Keith Kahn-Harris. (eds). 2004. After Subculture: Critical Studies in Contemporary Youth Culture. London: Palgrave.
Blackman, S. J. 2005. “Youth Subcultural Theory: A Critical Engagement with the Concept, its Origins and Politics, from the Chicago School to Postmodernism”. Journal of Youth Studies, 8:1, 1-20.
Blackman, S. J. 2014. “Subculture theory: an historical and contemporary assessment of the concept for understanding deviance”. Deviant Behavior, 35 (6). pp. 496-512.
Bozilovic, Nikola. 2010. “Youth Subcultures and Subversive Identities”. Philosophy, Sociology, Psychology and HistoryVol. 9, No 1, 2010, pp. 45 – 58.
Brown, Andy R. 2003. “Heavy Metal and Subcultural Theory: A Paradigmatic Case of Neglect?” Pp. 209-222 dalam Muggleton dan Winzierl. The Post-Subcultures Reader. Oxford: Berg.
Haenfler, Ross. 2004. “Rethinking Subcultural Resistance: Core Values of the Straight Edge Movement”. Journal of Contemporary Ethnography, Vol. 33 No. 4, August 2004 406-436.
Hall, Stuart dan Tony Jefferson. 1976. Resistance Through Rituals: Youth subcultures in post-war Britain.UK: Routledge.
Kahn-Harris, Keith. 2007. Extreme Metal: Music and Culture on the Edge. Oxford: Berg.
Luvaas, Brent. (2013). “Exemplary Center and Musical Elsewheres: On Authenticity and Autonomy in Indonesian Indie Music”. Asian Music, Volume 44, Number 2, Summer/Fall 2013, pp. 95-144.
Martin-Iverson. 2011. The Politics of Cultural Production in the DIY Hardcore Scene in Bandung, Indonesia. University of Western Australia: Ph.D. Thesis.
Muggleton, David. 2000. Inside Subculture: Postmodern Meaning of Style. Oxford: Berg.
Straw, Will. 1991. “Systems of articulation, logics of change: Communities and Scenes in Popular Music”. Cultural Studies, 5:3, 368-388.
Sutopo, Oki Rahadianto dan Pam Nilan. 2018. “The Constrained Position of Young Musician in the Yogyakarta Jazz Community”. Asian Music Volume 49, Number 1, Winter/Spring 2018, pp. 34-57.
Sutopo, Oki Rahadianto, Steven Threadgold dan Pam Nilan. 2017. “Young Indonesian Musicians, Strategic Social Capital, Reflexivity, and Timing”. Sociological Research Online 2017, Vol. 22(3) 186 –203
Sutopo, Oki Rahadianto. 2016. “Pemuda dan Resistensi: Sebuah Refleksi Kritis”. Jurnal Studi Pemuda, Vol. 5, No. 2, September 2016.
Thornton, Sarah. 1995. Club Cultures: Music, Media and Subcultural Capital. Cambridge: Polity Press.
Wah (ed). 2009. “Locstock Fest 2009 Digelar, Asli Jogja Lho”. Kompas.com. Diakses pada 30 Oktober 2018 (https://internasional.kompas.com/read/2009/11/11/22104311/Locstock.Fest.2009.Digelar..Asli.Jogja.Lho...)
Wallach, Jeremy. 2008. Modern Noise, Fluid Genres: Popular Music in Indonesia 1997-2001. USA: Winconsin Press.
Walser, Robert. 1993. Running with the Devil: Power, Gender and Madness in Heavy Metal Music. Connecticut: Wesleyan University Press.
Weinstein, Deena. 2000. Heavy Metal: The Music and It’s Culture. Massachusetts: Da Capo Press.
DOI: https://doi.org/10.22146/studipemudaugm.41474
Article Metrics
Abstract views : 3083 | views : 4640Refbacks
- There are currently no refbacks.
Copyright (c) 2019 Jurnal Studi Pemuda
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Jurnal Studi Pemuda (Online ISSN 2527-3639; Print ISSN 2252-9020) is published by the Youth Studies Centre in collaboration with Faculty of Social and Political Science, Universitas Gadjah Mada. |