Managing Carbon Footprint at Music Festivals: A Study at Glastonbury Festival
Anindya Kenyo Larasti(1*)
(1) MSc Management and Sustainable Tourism, University of Glasgow, Scotland, UK
(*) Corresponding Author
Abstract
Keywords
Full Text:
PDFReferences
Anderson, D. & Lundberg, E. (2013). Commensurability and sustainability: Triple impact assessments of a tourism event. Tourism Management, 37, 99-109. https://doi.org/10.1016/j.tourman.2012.12.015.
Bodwin, G. (2006). Identifying and analysing existing research undertaken in the event industry: a literature review for People 1st. Leeds: Leeds Metropolitan University.
Bottrill, C., Liverman, D. and Boykoff, M. (2010). Carbon soundings: greenhouse gas emissions of the UK music industry. Environmental Research Letters, 5. DOI 10.1088/1748-9326/5/1/014019.
Brennan, M., Scott, J. C., Connelly, A., & Lawrence, G. (2019). Do music festival communities address environmental sustainability and how? A Scottish case study. Popular Music, 38, 252–275.
British Gas. (2013). Glastonbury: How do you power a major music festival? [Online] Available at: https://www.britishgas.co.uk/business/blog/glastonbury-how-do-you-power-a-major-music-festival/ [Accessed 3rd February 2019].
Case, R. (2013). Events and The Environment. New York: Routledge.
Department of Business, Energy & Industrial Strategy. (2018). UK Government GHG Conversion Factors for Company Reporting. [Online] Available at: https://www.gov.uk/government/publications/greenhouse-gas-reporting-conversion-factors-2018 [Accessed 2nd February 2019].
Discover Britain. (2014). [Online] Avalilable at: https://www.discoveringbritain.org/activities/south-west-england/aerial/britain-from-the-air-glastonbury-festival.html [Accessed 10th February 2019].
eFestivals. (2014). Bimble Badada! 2014. [Online] Available at: https://www.efestivals.co.uk/festivals/bimble/2014 [Accessed 3rd February 2019].
Fredline, L., Raybould, M., Jago, L. & Deery, M. (2005). Triple Bottom Line Event Evaluation: A proposed framework for holistic event evaluation. In Proceedings of International Event Research Conference 2005. Lindfield: Australian Centre for Event Management.
Flinn, J. and Frew, M. (2014). Glastonbury: managing the mystification of festivity. Leisure Studies, 33, 418-433, DOI: 10.1080/02614367.2012.751121
Gelder, G. and Robinson, P. (2009). A Critical Comparative Study of Visitor Motivations for Attending Music Festivals: A Case Study of Glastonbury and V Festival. Event Management, 13, 3, 181-196. https://doi.org/10.3727/152599509790029792
Getz, D. (2005). Event Management & Event Tourism. New York: Cognizant Communication Corporation.
Gray, L. (2013). Glastonbury 2013: How green is going to a festival? [Online] Available at: https://www.telegraph.co.uk/culture/glastonbury/10127604/Glastonbury-2013-How-green-is-going-to-a-festival.html [Accessed 7th February 2019].
Glastonbury Festival. (2011). Become a green traveller and enjoy the benefits. [Online] Available at: https://www.glastonburyfestivals.co.uk/become-a-green-traveller-and-enjoy-the-benefits/ [Accessed 5th February 2019].
Glastonbury Festival (2014). Croissant Neuf. Online] Available at: https://www.glastonburyfestivals.co.uk/areas/the-green-fields/croissant-neuf/ [Accessed 9th February 2019].
Glastonbury Festival. (2017). Green Glastonbury. [Online] Available at: https://www.glastonburyfestivals.co.uk/information/green-glastonbury/ [Accessed 10th February 2019].
Glastonbury Festival. (2018). Love The Farm, Leave No Trace. [Online] Available at: https://www.glastonburyfestivals.co.uk/information/green-glastonbury/love-the-farm-leave-no-trace/ [Accessed 10th February 2019].
Glastonbury Festival. (2019). Our Green Policies. [Online] Available at: https://www.glastonburyfestivals.co.uk/information/green-glastonbury/our-green-policies/ [Accessed 10th February 2019].
Hawkes, A. D. (2010). Estimating marginal CO2 emissions rates for national electricity systems. Energy Policy, 38, 10, 5977–5987. https://doi.org/10.1016/j.enpol.2010.05.053
Heal, A. (2018). Glastonbury tickets for 2019 sell out in half an hour. [Online] Available at: https://www.theguardian.com/music/2018/oct/07/glastonbury-tickets-2019-sell-out-in-half-an-hour [Accessed 9th July 2019].
IPCC. (2007). Climate Change 2007: Synthesis Report. Contribution of Working Groups I, II, and III to the Fourth Assessment Report of the Intergovernmental Panel on Climate Change. Switzerland: Intergovernmental Panel on Climate Change.
Julie's Bicycle. (2009). First Step: UK Music Industry Greenhouse Gas Emissions for 2007. [Online] Available at: https://www.juliesbicycle.com/Handlers/Download.ashx?IDMF=aa78cb72-8d5f-4594-bca2-8b586ff79436 [Accessed 2nd February 2019].
Mair, J. and Laing, J. (2013). Encouraging pro-environmental behaviour: the role of sustainability-focused events, Journal of Sustainable Tourism, 21, 1113–1128.
Marchini, B., Fleming, P. & Maughan, C. (2013). Reducing Electricity related greenhouse gas emissions at music festivals. [Online] Available at: http://www.powerful-thinking.org.uk/site/wp-content/uploads/Electricity-at-Festivals-summary-findings-March-2013.pdf [Accessed 1st February 2019].
McCarthy, N. (2018). Plastic Can Take 500 Years to Bio-Degrade in The Ocean. [Online] Available at: https://www.statista.com/chart/15905/the-estimated-number-of-years-for-selected-items-to-bio-degrade / [Accessed 8th February 2019].
Mendip District Council. (2007). Glastonbury Festivals 2017 Economic Impact Assessment. Somerset: Mendip District Council.
Mullin, G. (2016). Glastonbury 2016 revelers caught in traffic jams for up to 27 HOURS – but embrace 'festival spirit.' [Online] Available at: https://www.mirror.co.uk/news/uk-news/glastonbury-2016-revellers-caught-traffic-8257718 [Accessed 5th February 2019].
Ovo Energy. (2014). How much electricity does a home use? [Online] Available at: https://www.ovoenergy.com/guides/energy-guides/how-much-electricity-does-a-home-use.html [Accessed 6th February 2019].
Powerful Thinking. (2017). The Show Must Go On: Environmental Impact Report and Vision for the UK Festival Industry. [Online] Available at: https://www.kambe-events.co.uk/wp-content/uploads/2017/10/TheShowMustGoOnReport_Final.pdf [Accessed 2nd February 2019].
Pringle, S. A. (2013). Recycling at UK Music Festival Survey. [Online] Available at: https://www.agreenerfestival.com/wp-content/uploads/pdfs/ScottAndrewPringle-MScDissSummary.pdf [Accessed 10th February 2019].
Ravenhall, L. (2019). How eco-friendly is Glastonbury Festival? [Online] Available at: https://www.forgerecycling.co.uk/blog/how-eco-friendly-is-glastonbury-festival/ [Accessed 20th June 2019].
Raw Foundation. (2018). The Making Waves Plastic-Free Festival Guide for Festivals and Events. [Online] Available at: http://rawfoundation.org/making-waves/wp-content/uploads/2018/03/Festival-Guide-20182.pdf [Accessed 9th February 2019].
Statista. (2016). Music concert and festival attendance in the United Kingdom (UK) from 2012 to 2016 (in millions). [Online] Available at: https://www.statista.com/statistics/282032/music-concert-and-festival-attendance-in-the-uk-by-attendee-type/ [Accessed 28th January 2019].
Stettler, S. L. (2011). Sustainable Event Management of Music Festivals: An Event Organizer Perspective. Dissertations and Theses. Paper 257. Portland State University.
Telegraph. (2017). Glastonbury Festival 2017 in Pictures: Ed Sheeran, Jeremy Corbyn and A Blushing Security Guard. [Online] Available at: https://www.telegraph.co.uk/music/concerts/glastonbury-festival-2017-pictures/largest-greenfield-festival-world-glastonbury-festival-now-five/ [Accessed 3rd February 2019].
The Kings Ferry. (2015). Coach travel beats all other forms of transportation in terms of its impact on the environment. [Online] Available at: https://www.thekingsferry.co.uk/industry-news/article/commuters-corporate-events-private-hire-schools-clubs/coach-travel-beats-all-other-forms-of-transportation-in-terms-of-its-impact-on-the-environment/801786507 [Accessed 5th February 2019].
UK Music. (2015). Wish you were Here 2015: Music Tourism’s Contribution to the UK Economy. [Online] Available at: https://visitwightpro.com/wp-content/uploads/2015/08/2015-wish-you-where-here-music-tourisms-contribution-to-the-uk-economy1.pdf [Accessed 10th February 2019].
UNWTO. (2017). Our World in Data. [Online] Available at: https://ourworldindata.org/tourism#empirical-view [Accessed 1st February 2019].
UWE Bristol. (2017). UWE Bristol links up with Glastonbury Festival to promote sustainability. [Online] Available at: https://blogs.uwe.ac.uk/bristol-business-school/uwe-bristol-links-up-with-glastonbury-festival-to-promote-sustainability/ [Accessed 10th February 2019].
Victoria and Albert Museum. (2019). Performing Glastonbury. [Online] Available at: https://www.vam.ac.uk/performing-glastonbury/
Vonow, B. (2017). Glastonbury cleanup costing £785,000 and lasting six weeks begins as 200,00 festival-goers head home leaving behind mounds of rubbish. [Online] Available at: https://www.thesun.co.uk/news/3883718/glastonbury-2017-clean-up-pictures-rubbish-after-festival/ [Accessed 30th January 2019].
Warrenger, S. (2018). Co-op food stores coming to festivals this summer with reverse plastic vending machines. [Online] Available at: https://thefestivals.uk/2018/05/12/coop-festival-shops/ [Accessed 10th February 2019].
White, M. (2019). Glastonbury 2019: More than 99% of tents taken home from festival in new record, organisers say. [Online] Available at: https://www.standard.co.uk/news/uk/glastonbury-2019-more-than-99-of-tents-taken-home-from-festival-in-new-record-organisers-say-a4180636.html [Accessed 8th July 2019].
Youngs, I. (2017). Building a city in festival field. [Online] Available at: http://news.bbc.co.uk/1/hi/entertainment/6727261.stm [Accessed 3rd February 2019].
DOI: https://doi.org/10.22146/gamajts.v4i2.89049
Article Metrics
Abstract views : 3202 | views : 2040Refbacks
- There are currently no refbacks.
Copyright (c) 2023 Gadjah Mada Journal of Tourism Studies
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
View My Stats
Print ISSN: 2621-9522 | Online ISSN: 2621-9948
Copyright © 2024 Gadjah Mada Journal of Tourism Studies, Office of Journal & Publishing, Faculty of Cultural Sciences, Universitas Gadjah Mada