* Corresponding Author
FOTO SEJARAH PADA MEDIA DIGITAL: PEWARNAAN DAN MEME BERKONTEN SEJARAH
https://doi.org/10.22146/sasdayajournal.43884 Iman Zanatul Haeri(1*)
(1) Guru Sejarah MA Pondok Pesantren Luhur Al-Tsaqafah, Jakarta Selatan
(*) Corresponding Author
Abstract
Technological developments make it easier for historical reviewers to approach historical sources. But there is a trend in Indonesian digital society to change historical sources such as historical photos as information consumption. Along with the development of the times, analog photos turned into historical photos that were present in the millennial era appeared in two ways; first coloring photo history, the second "meme" set in historical photos. In order to track digital footage of this phenomenon, historical methodology and photo analysis of Roland Barthes are used to show the birth of historical photo coloring trends and memes in the digital world. The coloring of historical photos causes a change in time awareness of historical sources and memes on historical photographs cause a change and multiplication of meanings in digital photos as historical sources.
Keywords
Full Text:
PDFReferences
Ali, H., & Purwandi, L. (2016). Indonesia 2020. Jakarta: Alvara Research.
Ali, H., & Purwandi, L. (2017). The Urban Middle-Class Millenials Indonesia. Jakarta: Alvara Research.
Angkersmith. (1987). Refleksi Tentang Sejarah. (D. Hartono, Trans.) Jakarta: Gramedia Pustaka Utama.
Barksdale, K. (2012). Digitools (3nd ed.). Mason USA: Cengage Learning.
Barthes, R. (2007). Petualangan Semiologi. (M. Ardiansyah, Trans.) Yogyakarta: Pustaka Pelajar.
Barthes, R. (2010). Imaji, Musik, Teks. (A. Hartono, Trans.) Yogyakarta: Jalasutra.
Blackmore, S. (2000). The Power of Memes: Behaviors and Ideas Copied from Person to Person by Imitation—Memes—May Have Forced Human Genes to Make Us What We are Today. 65-73.
Carr, E. H. (1982). What is History? London: Pinguin Books.
Corcoran, K. (2014, August 9). DMG Media. (G. Greig, Editor) Retrieved October 10, 2017, from Dailymail.com: https://www.dailymail.co.uk/news/article-2719183/Audrey-Einstein-Red-Baron-crashing-Hindenburg-colour-How-modern-computer-techniques-brought-new-life-black-white-images-early-days-photography.html
Dawkins, R. (2018). The Selfish Gene (3nd ed.). (K. El-Kazhiem, Trans.) Jakarta: Kepustakaan Populer Gramedia.
Dobson, M. &. (2009). Reading Primary Sources: The Interpretation of Text from Nineteeth- and Twentieth-Century History. New York: Routledge.
eMarketer. (2015, September 16). Article eMarketer. Retrieved November 12, 2017, from eMarleter: https://www.emarketer.com/Article/Asia-Pacific-Boasts-More-Than-1-Billion-Smartphone-Users/1012984
Gottschalk, L. (1986). Mengerti Sejarah. (N. Notosusanto, Trans.) Jakarta: UI Press.
Harrison, D. (2015). Handbook of Research on Digital Media and Creative Technologies. Hershey: IGI Global.
Henley, J. (2013, November 18). (P. Chadwick, Editor) Retrieved November 11, 2017, from Theguardian.com: https://www.theguardian.com/artanddesign/2013/nov/18/vivid-art-of-colorizer
Heriyanto, A. P. (2016). Mobile Phone Forensics: Theory Mobile Phone Forensics and Security Series. Yogyakarta: CV ANDI.
Hidayat, M. W. (2017, March 30). PT Liputan Enam Dot Com. Retrieved October 28, 2017, from liputan6.com: https://www.liputan6.com/tekno/read/2901080/sosok-polisi-di-balik-akun-twitter-pewarna-foto-foto-sejarah
Horovitz, B. (2012, May 4). USA TODAY . (N. Carrol, Ed.) Retrieved November 4, 2017, from Usatoday.com: http://usatoday30.usatoday.com/money/advertising/story/2012-05-03/naming-the-next-generation/54737518/1?loc=interstitialskip
Howe, N., & Strauss, W. (2000). Millennials Rissing. New York: Vintage Books.
Huffpost. (2013, November 9). The Huffington Media Group. (T. Craggs, Editor) Retrieved October 2, 2017, from Thehuffingtonpost.com: https://www.huffingtonpost.com/2013/11/09/colorized-photos_n_4242066.html
Iskandar, A. A. (2014, September- December 3-4). Pengantar Ketua Himpunan Optik Indonesia. Buletin HOI, III, p. 25.
Kuntowijoyo. (2001). Pengantar Ilmu Sejarah. Yogyakarta: Yayasan bentang Budaya.
Matanasi, P. (2016, October 31). Perpustakaan Leiden, Jendela Indonesia Di Belanda. Retrieved October 20, 2017, from Tirto.id: https://tirto.id/perpustakaan-leiden-jendela-indonesia-di-belanda-bZnX
Mitchell, W. J. (1998). The Reconfigured Eye. Cambridge: MIT Press.
Mitchell, W. J. (1998). The Reconfigured Eye: Visual Truth in The Post-Photographic Era. Cambridge: MIT Press.
National Institute of Justice. (2008). Electronic Crime Scene Investigation. National Institute of Justice, U.S Department of Justice. Washington: National Institute of Justice.
Nordholt, H. S., & dkk. (2008). Perspektif Baru Penulisan Sejarah Indonesia. Jakarta: Yayasan Obor.
Novak, M. (2014, May 21). Gizmodo Media Group. (K. Bourdet, Editor) Retrieved October 23, 2017, from Gizmodo.com: https://paleofuture.gizmodo.com/are-colorized-photos-rewriting-history-1579276696
Novak, M. (2014, May 22). Gizmodo Media Group. (K. Bourdet, Editor) Retrieved November 11, 2017, from Gizmodo.com: https://paleofuture.gizmodo.com/inside-the-color-factory-my-chat-with-a-photo-colorize-1579297729
Peres, M. R. (2012). The Concise Focal Encyclopedia of Photography (2nd ed.). Burlington: Focal Press.
Poespoprodjo, W. (1987). Interpretasi. Bandung: Redmaja Karya.
Rotenberg, J. (2000). An Experiment in Using Emulation to Preserve Digital Publications. Amsterdam: NEDLIB.
Volarić, N., Pibernik, J., & Dolić, J. (2010). The Popularity Of Black-And-White Photography In The World Of Digital Photography. University of Zabreg. Zabreg: International Design Conference - Design 2010.
Yulistianti, A. (2008). Bekerja sebagai Desainer Grafis. Jakarta: Erlangga.
DOI: https://doi.org/10.22146/sasdayajournal.43884
Article Metrics
Abstract views : 3221
| 
views : 6135
Refbacks
- There are currently no refbacks.
Copyright (c) 2019 SASDAYA: Gadjah Mada Journal of Humanities
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Registered number ISSN 2549-3884 (online)