AMERICAN SUBCULTURE: AN IDENTITY TRANSFORMATION OF HIP HOP

https://doi.org/10.22146/rubikon.v10i2.87302

Luthfadery Ramadhan(1*)

(1) Universitas Gadjah Mada
(*) Corresponding Author

Abstract


Hip-hop has become a global phenomenon, transcending cultural boundaries and influencing artists and communities worldwide. It came from the Black community’s idea of creativity concerning their lifestyle and how they dress—starting from their youth’s energy of creativity to represent their community identity in a larger dominant culture of the US. It transforms the identity of the Black people community into a hip-hop subculture. Through literature analysis, the process of breaking all the challenges and contradictions from the mainstream culture is explained in this paper. Moreover, Burke’s social identity theory and identity theory are utilized in this research. Identity transformation of hip hop to a subculture cannot be separated from its core elements, i.e., music with its poetic and rhyme wordings, unique fashion to emphasize their presence in society, dance as the platform of freedom activity, and language as the tool to convey their identity. These elements are the core of hip-hop in forming self-identities and collective identity, as well as providing a platform for self-expression, storytelling, and cultural exchange.


Keywords


Black people; Hip hop; identity; identity transformation; subculture

Full Text:

PDF


References

Alridge, D. P., & Stewart, J. B. (2005). Introduction: Hip hop in history: Past, present, and future. The Journal of African American History, 90(3), 190-195. https://doi.org/10.1086/jaahv90n3p190

Bolduc, H., & Kinnally, W. (2018). Examining the impact of social identification with music on music streaming behavior. Journal of Radio & Audio Media, 25(1), 42-61. https://doi.org/10.1080/19376529.2017.1362893

Brown, T., & Kopano, B. (2014). Soul thieves: The appropriation and misrepresentation of African American popular culture. Springer.

Chang, J. (2007). Can't stop won't stop: A history of the hip-hop generation. St. Martin's Press.

Creswell, J. W. (2008). Research Design: Qualitative, Quantitative, and Mixed Methods Approaches, 3rd Edition (3rd ed.). SAGE Publications, Inc.

Durham, A. (2015). _____ While Black: Millennial Race Play and the Post-Hip-Hop Generation. Cultural Studies ↔ Critical Methodologies, 15(4), 253–259. https://doi.org/10.1177/1532708615578414

D'Souza, R. A. (2014). Arab hip-hop and politics of identity: intellectuals, identity and inquilab (Doctoral dissertation).

Fathmawati, Y. D. & Adi, I. R. (2022). American Influence on Youth Culture: Representation Analysis on Punk Subculture in Indonesia. Rubikon: Journal of Transnational American Studies, 10(1), 12-31.

Garcia, D. (2021). The Politics of Hip Hop: A Political Analysis of Hip Hop’s History and Its Complicated Relationship with Capitalism.

Hall, S. (1997). Representation: Cultural Representations and Signifying Practices. SAGE Publications, Inc.

Jeffries, M. P. (2014). Hip-hop Urbanism Old and New. International Journal of Urban and Regional Research, 38(2), 706–715. https://doi.org/10.1111/1468-2427.12106

Kim, J., & Pulido, I. (2015). Examining Hip-Hop as Culturally Relevant Pedagogy. Journal of Curriculum and Pedagogy, 12(1), 17–35. https://doi.org/10.1080/15505170.2015.1008077

Kruse, A. J. (2018). ‘Hip-hop wasn't something a teacher ever gave me’: exploring hip-hop musical learning. Music Education Research, 20(3), 317–329. https://doi.org/10.1080/14613808.2018.1445210

Magaña, M. R. (2021). The politics of Black and Brown solidarities: race, space, and hip-hop cultural production in Los Angeles. Ethnic and Racial Studies, 1–24. https://doi.org/10.1080/01419870.2021.1896016

Morgan, M., & Bennett, D. (2011). Hip-Hop & the Global Imprint of a Black Cultural Form. Daedalus, 140(2), 176–196. https://doi.org/10.1162/daed_a_00086

Nguyen, J., & Ferguson, G. M. (2019). A Global Cypher: The Role of Hip Hop in Cultural Identity Construction and Navigation for Southeast Asian American Youth. New Directions for Child and Adolescent Development, 2019(164), 99–115. https://doi.org/10.1002/cad.20279

Podoshen, J. S., Andrzejewski, S. A., & Hunt, J. M. (2014). Materialism, Conspicuous Consumption, and American Hip-Hop Subculture. Journal of International Consumer Marketing, 26(4), 271–283. https://doi.org/10.1080/08961530.2014.900469

Salmons, P. J. (2017). Hip hop voices in the era of Mass Incarceration: An examination of Kendrick Lamar and The Black Lives Matter Movement (Doctoral dissertation, Virginia Tech).

Stets, J. E. & Burke, P. J. (2000). Identity Theory and Social Identity Theory. Social Psychology Quarterly, 63(3), 224-237. https://doi.org/10.2307/2695870

Taylor, J. (2019). Racism, inequality, and health care for African Americans.

Walker, S. (2000). Black is profitable: The commodification of the Afro, 1960–1975. Enterprise & Society, 1(3), 536-564. https://doi.org/10.1093/es/1.3.536



DOI: https://doi.org/10.22146/rubikon.v10i2.87302

Article Metrics

Abstract views : 1287 | views : 397

Refbacks

  • There are currently no refbacks.


Copyright (c) 2023 Rubikon : Journal of Transnational American Studies

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Indexed by:

   Crossref Google Scholar JournalStories Main logo  OAI logo  

View My Stats

ISSN & E-ISSN