Mengartikulasikan Relasi Musik dengan Radikalisme

https://doi.org/10.22146/studipemudaugm.37119

Michael HB Raditya(1*)

(1) Jurnal Kajian Seni, UGM Institute Seni Indonesia (ISI), Yogyakarta REPERTOAR LARAS SEREPITA
(*) Corresponding Author

Abstract


 This article deals with relation between music and radicalism. In fact, religion and politics are more related with radicalism. In art perspective, visual art was more related with radicalism rather than music position—especially in Indonesia. In Indonesia music had minor relation with radicalism. According this fact, i would like to explore about music with radicalism with link with several songs, genres, and moda of production—especially relate with definition of radicalisme was rooted movement. The result that i got so far is songs, genres, and mode of production relate with counter-culture. Through counter-culture, radicalism movement that used by music can be running with a different portion, inter alia: change old system to new system, and deal with daily activity as a counter. This result made me more brightly to articulate that pathern and logic of radicalism not only about practical measured, but relate with ideology things.


Keywords


Alternative System; Counter-culture; Music; Radicalism; Youth

Full Text:

PDF


References

Abbas, Tahir. 2007. Islamic Political Radicalism: A European Perspective. Edinburgh: Edinburgh University Press.

Asy’ari, Deni. 2009. “Radikalisasi Gerakan Keagamaan Mahasiswa Non Studi Keagamaan dalam Gerakan Islam Radikal”, sebagai Tesis Program Studi Sosiologi, Pascasarjana Fakultas Ilmu Sosial dan Politik, UGM.

Barry, Syamsul. 2003. “Radikalisme dalam Seni: Seni pada Aksi Unjuk Rasa Turun Jalan”, dalam Politik dan Postkolonialitas di Indonesia, Budi Susanto (ed.). Yogyakarta: Penerbit Kanisius dan Lembaga Studi Realino, halaman 309-360.

Bart Barendgert dan Els Bogaerts. 2016. Merenungkan Gema: Perjumpaan Musikal Indonesia – Belanda. Jakarta: Buku Obor.

Boal, Augusto. 1979. Theatre of the Oppressed. London: Pluto Press.

Djohan. 2006. Terapi Musik: Teori dan Aplikasi. Yogyakarta: Galangpress.

Hadrjana, Suka. 2004. Antara Kritik dan Apresiasi. Jakarta: Penerbit Buku Kompas.

Heath, Joseph dan Andrew Potter. 2004. Radikal itu Menjual: Budaya perlawanan atau Budaya Pemasaran? Jakarta: Antipasti.

Hebidge, Dick. 1979. Subculture: The Meaning of Style. London: Routledge.

Jauhari, Kalam. 2016. “Radikalisasi Buruh Kereta Api di Perkotaan Jawa 1914-1926”, sebagai Tesis Program Studi Sejarah, Pascasarjana Fakultas Ilmu budaya, UGM.

Kartodirjo, Sartono. 1987. Pengantar Sejarah Indonesia Baru, 1500-1900: Dari Kolonialisasi sampai Nasionalisme. Jakarta: PT. Gramedia Pustaka Utama.

_______. 1992. Ratu Adil. Jakarta: Sinar Harapan. Laclau, Ernesto dan C. Mouffe. 1986. Hegemony and Socialist Strategy. London: Verso.

Luvaas, Brent. 2012. DIY Style: Fashion, Music and Global Digital Cultures. London: Berg Publishers.

Olcott, M.B. 2007. Roots of Radical Islam in Central Asia. New York: Carnegie Endownment for International Peace.

Raditya, Michael H.B. 2013. “Esensi Senggakan pada Dangdut Koplo sebagai Identitas Musikal”, sebagai tesis pada program Pengkajian Seni Pertunjukan dan Seni Rupa, Sekolah Pascasarjana, Universitas Gadjah Mada.

Rez, Idhar. 2008. Music Records Indie Label. Bandung: Mizan.

Rosadi, Andri. 2006. “Gerakan Radikal Keagamaan (Studi Antropologi atas Gerakan Front Pembela Islam di Jakarta”, sebagai Tesis Program Studi Antropologi, Pascasarjana UGM.

Sakrie, Denny. 2015. 100 Tahun Musik Indonesia. Jakarta: Gagas Media.

Salam, Abdul. 2004. “Radikalisme Islam: Studi Tentang Gerakan

Majelis Mujahidin Indonesia”, sebagai Tesis Program Studi Sosiologi, Pascasarjana Fakultas Ilmu Sosial dan Politik, UGM.

Seligman, Erwin R.A., 1972. Encyclopedia of Social Science vol XIII-XIV. New York: The Macmillan Company.

Shires, Preston. 2006. Hippies of The Religious Right. Texas: Baylor University Press.

Tim Narasi. 2009. 100 Tokoh yang Mengubah Indonesia. Yogyakarta: Penerbit Narasi. Whiteley, Sheila. 1992. The Space Between The Notes: Rock and the Counter Culture. London: Routledge.

Zulkifli, Arif, Purwanto Setiadi, dkk. 2014. “Mati Sunyi Pencipta Genjer-genjer” dalam Seri Buku Tempo Lekra dan Geger 1965. Jakarta: Kepustakaan Populer Gramedia, halaman: 114-122.

Wesbite

https://www.theguardian.com/world/2015/feb/26/isis-fighters-destroy-ancient-artefacts-mosul-museum-iraq

http://edition.cnn.com/2017/01/20/middleeast/palmyra-isis-theater/

https://www.britannica.com/topic/hippie

http://www.history.com/topics/vietnam-war/vietnam-war-protests

http://subcultureslist.com/punks/

http://www.icce.rug.nl/~soundscapes/DATABASES/SWA/On_popular_music_1.shtml

http://jurnalruang.com/read/1504165648-ketika-bung-karno-melarang-dangdut#

http://jurnalruang.com/read/1504175670-maaf-dilarang-menari-di-sini#

(diakses tanggal 4 Maret 2015 pukul 18.20 WIB)



DOI: https://doi.org/10.22146/studipemudaugm.37119

Article Metrics

Abstract views : 2734 | views : 3080

Refbacks

  • There are currently no refbacks.


Copyright (c) 2018 Jurnal Studi Pemuda

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.

 


   Jurnal Studi Pemuda (Online ISSN 2527-3639Print ISSN 2252-9020)  is published by the Youth Studies Centre in collaboration with Faculty of Social and Political Science, Universitas Gadjah Mada.  

 

View My Stats