KOSMOPOLITANISME DIGITAL: SEBUAH TAWARAN STRATEGI KEBERLANJUTAN SENI DAN BUDAYA TRADISI DI ERA DIGITAL

https://doi.org/10.22146/jksks.96624

Aditya Nirwana(1*), Didit Prasetyo Nugroho(2)

(1) Universitas Ma Chung
(2) Program Studi Desain Komunikasi Visual, Fakultas Teknologi dan Desain, Universitas Ma Chung
(*) Corresponding Author

Abstract


Seni dan budaya tradisional dihadapkan pada tantangan yang signifikan dalam mentransmisikan nilai-nilainya dari satu era ke era berikutnya. Kehadiran teknologi mutakhir menjadi pendorong utama percepatan evolusi budaya. Namun, globalisasi, yang didorong oleh teknologi mutakhir, sering dianggap sebagai ancaman terhadap seni dan budaya tradisional. Di samping berpotensi menghilangkan kemampuan kebudayaan dalam bertransformasi, agar dapat terus berlanjut, sikap ultra-konservatisme budaya juga tidak relevan bahkan dengan kebudayaan itu sendiri yang pada dasarnya bersifat dinamis dan terus bertransformasi seiring waktu. Dalam bentuk conceptual paper dan dengan metode studi pustaka, tulisan ini berupaya untuk menawarkan suatu “jalan ketiga”, yakni “kosmopolitanisme digital” di tengah-tengah dua kutub ekstrim ultra-konservatisme budaya dan sikap teknofilia yang diharapkan dapat menjadi suatu “model” sikap (pada tataran personal) yang dapat digunakan oleh para pengemban kebudayaan untuk mengembangkan kebudayaan tradisional di era teknologi digital, khususnya di dalam realitas digital media sosial. Kosmopolitanisme digital mengacu pada pandangan atau sikap yang mencerminkan pemahaman, keterlibatan, dan identitas yang melintasi batas-batas geografis dalam era digital. Kosmopolitanisme digital, dapat menjadi suatu strategi, sekaligus jembatan antara keberlanjutan budaya dan pengaruh global, memberikan peluang baru dan tantangan untuk pelestarian dan pengembangan kesenian tradisional dalam era digital.


Keywords


Kosmopolitanisme digital, Kesenian tradisional; Kebudayaan; Tradisi; Media sosial



References

Agustin, D. S. Y. (2011). Penurunan Rasa Cinta Budaya dan Nasionalisme Generasi Muda Akibat Globalisasi. Jurnal Sosial Humaniora, 4(2). https://doi.org/10.12962/j24433527.v4i2.632

Ajigini, O. A., & Chinamasa, T. J. W. (2023). Modelling Digital Transformation Within the Financial Sector. Information Resources Management Journal, 36(1), 1–20. https://doi.org/10.4018/irmj.320642

Boell, S. K., & Cecez-Kecmanovic, D. (2015). On being ‘Systematic’ in Literature Reviews in IS. Journal of Information Technology, 30(2), 161–173. https://doi.org/10.1057/jit.2014.26

Bourdieu, P. (2013). Outline of a Theory of Practice (28th ed.). Cambridge University Press.

Bronner, S. J. (2000). The Meaning of Tradition: An Introduction. Western Folklore, 59(2), 87–104. https://doi.org/http://dx.doi.org/10.2307/1500154

Brown, A. S., & Novak-Leonard, J. L. (2013). Measuring The Intrinsic Impacts of Arts Attendance. Cultural Trends, 22(3–4), 223–233. https://doi.org/10.1080/09548963.2013.817654

Busco, C., González, F., & Aránguiz, M. (2023). Factors That Favor or Hinder The Acquisition of A Digital Culture in Large Organizations In Chile. Frontiers in Psychology, 14, 1–13. https://doi.org/10.3389/fpsyg.2023.1153031

Gere, C. (2008). Digital Culture (2nd ed.). Reaktion Books.

Cho, M. E., & Kim, M. J. (2017). Measurement of User Emotion and Experience in Interaction with Space. Journal of Asian Architecture and Building Engineering, 16(1), 99–106. https://doi.org/10.3130/jaabe.16.99

Christensen, M., & Jansson, A. (2015). Complicit surveillance, interveillance, and the question of cosmopolitanism: Toward a phenomenological understanding of mediatization. New Media & Society, 17(9), 1473–1491. https://doi.org/10.1177/1461444814528678

Crozet, C. (2017). Globalization and Culture. In Global Encyclopedia of Public Administration, Public Policy, and Governance (pp. 1–8). Springer International Publishing. https://doi.org/10.1007/978-3-319-31816-5_1319-1

Cuypers, S. E. (2004). The Ideal of a Catholic Education in a Secularized Society. Journal of Catholic Education, 7(4). https://doi.org/10.15365/joce.0704022013

Dąbrowska, J., Almpanopoulou, A., Brem, A., Chesbrough, H., Cucino, V., Di Minin, A., Giones, F., Hakala, H., Marullo, C., Mention, A., Mortara, L., Nørskov, S., Nylund, P. A., Oddo, C. M., Radziwon, A., & Ritala, P. (2022). Digital Transformation, for Better or Worse: A Critical Multi‐level Research Agenda. R&D Management, 52(5), 930–954. https://doi.org/10.1111/radm.12531

Damono, S. D. (2023). Alih Wahana. Gramedia Pustaka Utama.

Davies, S. (2015). Defining Art and Artworlds. The Journal of Aesthetics and Art Criticism, 73(4), 375–384. https://doi.org/10.1111/jaac.12222

Dekker, E. (2015). Two Approaches to Study The Value of Art and Culture, and The Emergence of a Third. Journal of Cultural Economics, 39(4), 309–326. https://doi.org/10.1007/s10824-014-9237-y

Diffey, T. (2014). Tolstoy’s “What is Art?” Routledge. https://doi.org/10.4324/9781315770727

Djaya, T. R. (2020). Makna Tradisi Tedhak Siten pada Masyarakat Kendal: Sebuah Analisis Fenomenologis Alfred Schutz . Intelektiva : Jurnal Ekonomi, Sosial Dan Humaniora, 1(6), 21–31.

Döveling, K., Harju, A. A., & Sommer, D. (2018). From Mediatized Emotion to Digital Affect Cultures: New Technologies and Global Flows of Emotion. Social Media + Society, 4(1), 205630511774314. https://doi.org/10.1177/2056305117743141

Dwihantoro, P., Susanti, D., Sukmasetya, P., & Faizah, R. (2021). Digitalisasi Kesenian Njanen: Strategi Pelestarian Kebudayaan Melalui Platform Sosial Media. Madaniya , 4(1), 156–164.

Elvandari, E. (2020). Sistem Pewarisan sebagai Upaya Pelestarian Seni Tradisi. GETER : Jurnal Seni Drama, Tari Dan Musik, 3(1), 93–104. https://doi.org/10.26740/geter.v3n1.p93-104

Fadeev, A. (2022). Concept Formation and The Text in Digital Culture. Punctum. International Journal of Semiotics, 08(02), 83–99. https://doi.org/10.18680/hss.2022.0017

Gatley, J. (2021). Intrinsic Value and Educational Value. Journal of Philosophy of Education, 55(4–5), 675–687. https://doi.org/10.1111/1467-9752.12555

Graburn, N. H. H. (2000). What is Tradition? Museum Anthropology, 24(2–3), 6–11. https://doi.org/10.1525/mua.2000.24.2-3.6

Gunada, I. W. A. (2020). Ajaran Agama Hindu sebagai Inspirasi Penciptaan Karya Seni Lukis Tradisional Bali. Gorga : Jurnal Seni Rupa, 9(1), 158. https://doi.org/10.24114/gr.v9i1.18492

Handwerker, W. P. (2002). The Construct Validity of Cultures: Cultural Diversity, Culture Theory, and a Method for Ethnography. American Anthropologist, 104(1), 106–122. https://doi.org/10.1525/aa.2002.104.1.106

Holt, C. (2000). Melacak Jejak Perkembangan Seni di Indonesia. Arti.line.

Honigmann, J. J. (1959). The World of Man. Harper & Brothers Publishers. https://www.indianculture.gov.in/ebooks/world-man

Intani, R. T. (2019). Generasi Muda dan Seni Tradisi (Studi Kasus di Kawasan Cisaranten Wetan, Bandung). Jurnal Pendidikan Dan Kajian Seni (JPKS), 4(1), 55–73.

Jaakkola, E. (2020). Designing Conceptual Articles: Four Approaches. AMS Review, 10(1–2), 18–26. https://doi.org/10.1007/s13162-020-00161-0

Kant, I. (2000). Critique of the Power of Judgment (P. Guyer, Ed.). Cambridge University Press. https://doi.org/10.1017/CBO9780511804656

Kaur, A., & Kaur, M. (2016). The Study of Components of Culture: Values, Norms, Material Objects, Language and Culture Change. 6th International Conference of Science, Technology, and Management, 222–234.

Koentjaraningrat. (2009). Pengantar Ilmu Antropologi. Rineka Cipta.

Leitch, S. R. (2017). The Transparency Construct in Corporate Marketing. European Journal of Marketing, 51(9/10), 1503–1509. https://doi.org/10.1108/EJM-07-2017-0456

Leurs, K., & Ponzanesi, S. (2018). Connected Migrants: Encapsulation and Cosmopolitanization. Popular Communication, 16(1), 4–20. https://doi.org/10.1080/15405702.2017.1418359

Marković, S. (2012). Components of Aesthetic Experience: Aesthetic Fascination, Aesthetic Appraisal, and Aesthetic Emotion. I-Perception, 3(1), 1–17. https://doi.org/10.1068/i0450aap

Morari, M. (2016). What is an Artistic Experience? GISAP:Educational Sciences, 10. https://doi.org/10.18007/gisap:es.v0i10.1299

Nurhasanah, L., Siburian, B. P., & Fitriana, J. A. (2021). Pengaruh Globalisasi Terhadap Minat Generasi Muda dalam Melestarikan Kesenian Tradisional Indonesia . Jurnal Global Citizen : Jurnal Ilmiah Kajian Pendidikan Kewarganegaraan, 10(2), 31–39. https://doi.org/10.33061/jgz.v10i2.5616

Peterson, R. A. (1979). Revitalizing the Culture Concept. Annual Review of Sociology, 5(1), 137–166. https://doi.org/10.1146/annurev.so.05.080179.001033

Phelps, S. F. (2011). Folklore: An Encyclopedia of Beliefs, Customs, Tales, Music and Art (2nd edition). Reference Reviews, 25(8), 18–18. https://doi.org/10.1108/09504121111184309

Pramono, K. H., & Sabri, I. (2023). Pembuatan Naskah Cerita Teater Pada Kelompok Kesenian Bantengan Turangga Jaya Desa Wiyu Kecamatan Pacet Kabupaten Mojokerto. Gayatri : Jurnal Pengabdian Seni Dan Budaya, 1(1), 16–22. https://doi.org/10.20111/gayatri.v1i1.24

Pratiwi, E. Z., & Setyawan, B. W. (2022). Komodifikasi dan Eksistensi Jaranan Sentherewe Tulungagung: Studi Kasus Pada Kelompok Jaranan Turonggo Jengki. Jurnal Diwangkara, 2(1), 28–38. https://jurnal.stkippgriponorogo.ac.id/index.php/DIWANGKARA/article/view/191

Putra, I. N. D., & Sari, I. A. L. (2019). Revitalisasi Tembang Teks Sastra Bali Tradisional dalam Ranah Ritual dan Digital. ATAVISME, 22(1), 32–46. https://doi.org/10.24257/atavisme.v22i1.541.32-46

Putra, Y. P., Dewandaru, B., & Vaulia, N. (2021). Strategies to Increase Travel Attraction of Jaranan Dance Art at Digital Technology Era. Proceedings of the 2nd International Conference on Business and Management of Technology (ICONBMT 2020), 45–49. https://doi.org/10.2991/aebmr.k.210510.009

Rahardjo, S. (2011). Peradaban Jawa : Dari Mataram Kuno sampai Majapahit Akhir. Yayasan Kertagama dan Komunitas Bambu.

Rahman, T. (2014). “Indianization” of Indonesia in an Historical Sketch. International Journal of Nusantara Islam, 1(2), 56–64. https://doi.org/10.15575/ijni.v1i2.26

Rusianingsih, T. (2018). Kesurupan (Ndadi) pada Penonton Muda sebagai Identitas Penggemar Kesenian Jaranan di Kabupaten Trenggalek [Universitas Airlangga]. https://repository.unair.ac.id/71278/

Schiuma, G., Schettini, E., Santarsiero, F., & Carlucci, D. (2022). The Transformative Leadership Compass: Six Competencies for Digital Transformation Entrepreneurship. International Journal of Entrepreneurial Behavior & Research, 28(5), 1273–1291. https://doi.org/10.1108/IJEBR-01-2021-0087

Senyao, S., & Ha, S. (2022). How Social Media Influences Resident Participation in Rural Tourism Development: A Case Study of Tunda in Tibet. Journal of Tourism and Cultural Change, 20(3), 386–405. https://doi.org/10.1080/14766825.2020.1849244

Shen, Z. (2022). Street Art on TikTok: Engaging with Digital Cosmopolitanism. Cosmopolitan Civil Societies: An Interdisciplinary Journal, 14(2), 80–92. https://doi.org/10.5130/ccs.v14.i2.8017

Siltala, J. (2020). In Search of the Missing Links Between Economic Insecurity and Political Protest: Why Does Neoliberalism Evoke Identity Politics Instead of Class Interests? Frontiers in Sociology, 5. https://doi.org/10.3389/fsoc.2020.00028

Soenens, B., Duriez, B., & Goossens, L. (2005). Social–psychological profiles of identity styles: attitudinal and social‐cognitive correlates in late adolescence. Journal of Adolescence, 28(1), 107–125. https://doi.org/10.1016/j.adolescence.2004.07.001

Soltan, E. K. H., Jusoh, A., & Bagheri, M. M. (2015). An Integrative Environmental Framework for a Better Enterprise Resource Planning Post-Implementation Success. Mediterranean Journal of Social Sciences. https://doi.org/10.5901/mjss.2015.v6n6p153

Suneki, S. (2012). Dampak Globalisasi terhadap Eksistensi Budaya Daerah. CIVIS: Jurnal Ilmiah Ilmu Sosial Dan Pendidikan Kewarganegaraan, 2(1), 307–321.

Suyono, A., & Siregar, A. (1999). Kamus Antropologi (2nd ed.). Akademika Pressindo.

Sztompka, P. (2010). Sosiologi Perubahan Sosial (2nd ed.). Prenada.

Uy-Tioco, C. S., & Cabañes, J. V. A. (2021). Glocal intimacies and the contradictions of mobile media access in the Philippines. Media International Australia, 179(1), 9–22. https://doi.org/10.1177/1329878X20985962

van Peursen, C. A. (1988). Strategi Kebudayaan (Dick Hartoko, Ed.; 2nd ed.). Kanisius.

Varnum, M. E. W., & Grossmann, I. (2017). Cultural Change: The How and the Why. Perspectives on Psychological Science, 12(6), 956–972. https://doi.org/10.1177/1745691617699971

Vochin, M.-V. (2023). Digital Transformation Social Spaces of Romanians and Moldovans in Berlin. SEER, 26(1), 65–80. https://doi.org/10.5771/1435-2869-2023-1-65

Wahyuni, E. S., & Laksana, A. T. (2021). Kesenian Jaranan Tri Turonggono Budoyo Rukun Santoso Desa Ringinrejo Kecamatan Ringinrejo Kabupaten Kediri Tahun 1994-2019. AVATARA, e-Journal Pendidikan Sejarah, 11(1), 1–8.

Wang, J., & Wang, H. (2015). From a Marketplace to a Cultural Space. Journal of Technical Writing and Communication, 45(3), 261–274. https://doi.org/10.1177/0047281615578847

Waring, T., & Zachary, W. (2020). Cultural Inheritance is Driving a Major Transition in Human Evolution. EcoEvoRxiv .

Widayati, S., Setiyaningsih, L. A., Affandi, A. S., & Cahyaningsih, D. S. (2023). Peran Budaya Jaranan dalam Upaya Pemberdayaan Komunitas untuk Melestarikan Warisan Budaya. Seminar Nasional Pengabdian Masyarakat Ma Chung 2023: Bagaimana Indonesia Tahun 2024 Di Tengah-Tengah Isu Resesi Ekonomi Global?, 159–170. https://ocs.machung.ac.id/index.php/senam/article/view/405

Zhardemova, M., Khristidis, T., Karmazina, N., Fedorova, S., & Yakovleva, E. (2021). Digital Competences in The Aspect of Sociocultural Education. SHS Web of Conferences, 98, 05027. https://doi.org/10.1051/shsconf/20219805027



DOI: https://doi.org/10.22146/jksks.96624

Article Metrics

Abstract views : 2341 | views : 2039

Refbacks

  • There are currently no refbacks.


Copyright (c) 2024 Aditya Nirwana, Didit Prasetyo Nugroho

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

This journal is published by Performing Arts and Visual Arts Studies, Graduate School, Universitas Gadjah Mada.

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

web
statistics View My Stats