Sintesis Taganing Adaptif Menggunakan Metode Pitch Shifting by Delay-Line Based untuk Standardisasi Gondang Batak Toba
Pasto Juni Ansen Malau(1), Yohanes Suyanto(2*)
(1) Prodi Elektronika dan Instrumentasi,DIKE, FMIPA UGM,Yogyakarta
(2) Departemen Ilmu Komputer dan Elektronika,FMIPA UGM, Yogyakarta, Indonesia
(*) Corresponding Author
Abstract
This research using pitch shifting by delay line based method which consist of two main stage. The first stage is called analysis stage (framing, windowing, pre-emphasis and de-emphasis and FFT) that can detect the value of fundamental frequency of each taganing’s gendang. Then, this fundamental frequncy from each gendang will be classified into keyboard tones. The second one is called synthesis stage that will process the fundamental frequency become a new desire signal by creat an upward pitch change or a downward pitch change by delay line based method.
Result of this research is created new signals as standard tones of each taganing’s gendang. The evaluation of synthesis output is using comparation method between fudamnetal frequency value of signal output as result of synthetis stage and the fundamental frequency value of keyboard standard’s tone. From the results of the system, it can be concluded that taganing synthesis tone have 98.87% accuration rate.Keywords
Full Text:
PDFReferences
[1] N. Manurung, “Bentuk dan Fungsi Musik Gondang Sabangunan Batak Toba pada Grup Horas Rapolo Musik di Semarang”, Skripsi, Universitas Negeri Semarang, p. 2-3, 2015 [Online]. Available: http://lib.unnes.ac.id/21941/1/2501411046-S.pdf [Accessed: 20 Februari 2017]
[2] J. Garrison and J.Jung, “Pitch Shifter”, 2011 [Online]. Available: http://jakegarrison.me/docs/Pitch_Shift_Pres.pdf (Accessed: 20 Februari 2017)
[3] K. Jinho, “Automatic Pitch Detection and Shifting of Musical Tones in Real Time”, Thesis, Computer Science Departemen, Boston College, p.31, 2013 [Online]. Available: https://www.bc.edu/content/dam/files/schools/cas_sites/cs/pdf/academics/honors/13kim.pdf [Accessed: 10 Februari 2017]
[4] G.A Prayogo and Y.K Suprapto, “Pergeseran Frekeunsi Dasar Sinyal Gamelan Menggunakan Metode Phase Vocoder”, 2014 [Online]. Available: https://anzdoc.com/pergeseran-frekuensi-dasar-sinyal-gamelan-menggunakan-phase-.html [Accessed: 15 Maret 2017]
[5] B. Pono, Kamus Musik.Yogyakarta, Kanisius, 2013
[6] K. Engan, Frame Based Signal Representation and Compression. Norway, Stavanger University College, 2015
[7] Muljono and Hariad, “Sintesis Nada Saron Menggunakan Pitch Shifting Phase Vocoder untuk Standarisasi Suara Saron, 2013 [Online]. Available: http://eprints.dinus.ac.id/13195/1/jurnal_13665.pdf [Accessed: 14 Februari 2017]
[8] A.I Hasan, “Pembangkit Warna Suara Saron Sintesis Berdasarkan Petikan Gitar”, 2017 [Online]. Available: http://etd.repository.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=129657&obyek_id=4 [Accessed: 17 Mei 2018]
[9] P. Duhame and M. Vetterli, Fast Fourier Transforms: A Tutorial Review. Boca Raton, CRC Press LLC, 1999
[10] I. Manggolo, “Perencanaan Perangkat Lunak Sintesis Nada pada Komputer dengan Metode Sintesis Aditif”, p.5, 2013 [Online]. Available: https://core.ac.uk/download/files/379/11724817.pdf [Accessed: 7 Maret 2017]
DOI: https://doi.org/10.22146/ijeis.37659
Article Metrics
Abstract views : 2424 | views : 2177Refbacks
- There are currently no refbacks.
Copyright (c) 2020 IJEIS (Indonesian Journal of Electronics and Instrumentation Systems)
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
View My Stats1